I think it’s our responsibility as artists to not only fight for our art but fight for the communities that are the reason we’re able to continue making art, especially since, in Brooklyn’s case, we as artists somehow made it ‘cool’ enough for the bigger money-making industries to start taking over.
MITSKIIn my first few years of being in New York, I had a major identity crisis because I’d never stayed in one place for so long.
More Mitski Quotes
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You can be heartbroken about a relationship but also, from it, realize you are you, and you’re okay with who you are or where you came from.
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Then you start to realise, ‘Oh, I’m bending a lot,’ and they’re just standing there existing, and I’m bending around them. But you can’t blame them: they don’t realise it; that’s just how they already existed. It’s hard.
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I tend to kind of try to use what’s in my environment to the best of my ability rather than seek out things that I don’t already have.
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I’m so smart. I am good at doing math really quickly in my head.
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The whole ‘grunge-girl’ comparisons certainly are the easiest to pick out, and I appreciate that music journalists are rushed.
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There’s this myth that women are supposed to compete with each other or something, or we’re supposed to hate each other, and that’s totally not productive.
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I’ve been very careful to always make clear that I am a real person. That’s why I’m on social media a lot.
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I created this ‘ideal America.’ Finally I came to the U.S. and realised, ‘Oh, I don’t belong here, either.’
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Being an outsider at all times is both unhealthy and useful, because you become much more objective about things.
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Whenever I’ve tried to ingratiate myself to an existing community, I tend to give too much, to become whatever it is they want me to be. It’s something I do automatically – I’ve learnt to immediately adapt.
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I think it’s very dangerous as an artist to be comfortable.
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I feel like I’ve always wanted to live in one place and stay in one place, but I always end up choosing things that make me travel.
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I discovered I was an Asian American when I arrived in the U.S. I didn’t identify as that before I came here.
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I remember I took a music course in junior year of high school, and some girl brought in ‘Teardrops On My Guitar,’ and she was like, ‘Isn’t this song great?’ And everyone was like, ‘Who’s Taylor Swift?’ And now, every time I listen to Taylor Swift, I remember that moment.
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People started calling me that, and I started being treated in a specific way.
MITSKI