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A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory.

John Berger

Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
JOHN BERGER

Adjustment Against Derive Hope Injustice Justice Little Protest Shouting
The past grows gradually around one, like a placenta for dying.
JOHN BERGER

Around Die Dying Gradually Grow One Past Placenta
The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
JOHN BERGER

Female Herself Object Sight Surveyed Turn Vision Woman
Advertising is not merely an assembly of competing messages; it is a language itself which is always being used to make the same general proposal
JOHN BERGER

Advertising Assembly Being Competing Language Merely Message Messages Same Use
The heart of Paris is like nothing so much as the unending interior of a house.
JOHN BERGER

Country Doors Heart House Interior Two Unending
Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
JOHN BERGER

Animal Beyond Blindly Encounter Flicker Gaze Look Most Pass Stranger
One of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating.
JOHN BERGER

Abstract Actual Cynical Disillusioned Doctor Fundamental Idealism Knowing Life Precise Reason Treat
A photograph is a result of the photographer’s decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless.
JOHN BERGER

Everything Meamimgless Object Particular Photograph Recording Result
The envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER

Bureaucrat Envied Envy Greater Illusion Power Themselves
A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
JOHN BERGER

Autobiographical Discovery Drawing Event Imagine Record Remembered Seen
This determines not only most relations between men and women but also the relation of women to themselves.
JOHN BERGER

Determine Effection Men Most Only Relation Relationship Themselves Wome
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER

Age Believe City Every Nothing Sex Teenager
Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
JOHN BERGER

Artist Celebrity Country Drawing Epson Expert Like Most Often People Picasso Rembrandts
Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
JOHN BERGER

Animal Born Distinguish Men Relationship Symbol Yet
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER

Achievement Behind Deceptive Landscape Life Seem Setting Sometimes Struggle Success
The zoo cannot but disappoint.
JOHN BERGER

Animal Disappoint Pet Zoos

A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory.

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A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory.

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