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Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.

John Berger

A photograph is a result of the photographer’s decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless.
JOHN BERGER

Everything Meamimgless Object Particular Photograph Recording Result
Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
JOHN BERGER

Character Death Modern Notion Spectular Time Transferred
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.
JOHN BERGER

Doe Drawing Image Imitation Life Photograph Photography Rendering Subject Trace Unlike Viewer Visual
The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
JOHN BERGER

Authority Bureaucrat Glamorous Happiness Power Reside Suppose
Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress.
JOHN BERGER

Beauty Condemned Display Dresses Naked Nue Place
A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
JOHN BERGER

Allow Boycott Consider Craven Distinct Elected Government People Pressure Tactic
We follow songs in order to be enclosed. We find ourselves inside a message.
JOHN BERGER

Enclose Follow Inside Message Order Ourselves Song
Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
JOHN BERGER

Different Forget Look Meaning Pain Remember Thing
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
JOHN BERGER

Appearance Capital Equality Everything Object Oil Painting Reduce Relation Social
Advertising is not merely an assembly of competing messages; it is a language itself which is always being used to make the same general proposal
JOHN BERGER

Advertising Assembly Being Competing Language Merely Message Messages Same Use
Never chain your dogs together with sausages. One must accustom one’s self to be bored.
JOHN BERGER

Accustom Blessing Bored Chain Dog Sausage Self
The spectator-buyer is meant to envy herself as she will become if she buys the product.
JOHN BERGER

Buy Buyer Envy Herself Imagine Meant Product Spectator
It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
JOHN BERGER

Art Bourgeoisie Cinema Discover Learn People Popular Princes Single Sky Vagrant
What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGER

Absence Loss might Paint Painting Touch True Unaware
Publicity is the life of this culture – in so far as without publicity capitalism could not survive – and at the same time publicity is its dream.
JOHN BERGER

Capitalism Culture Dream Publicity Same Time
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER

Age Believe City Every Nothing Sex Teenager
The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
JOHN BERGER

Before Century Poverty Priorities Result Scarcity Set World
The woman’s sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
JOHN BERGER

Feel May Minimize Monopoly Need Passion Sexual Spectator Such Women
Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
JOHN BERGER

Artist Celebrity Country Drawing Epson Expert Like Most Often People Picasso Rembrandts
History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
JOHN BERGER

Always Constitute History Past Present Relation
What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and not by a but.
JOHN BERGER

Connect Difficult Significant Statement Strange Understand
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
JOHN BERGER

Contribute Memories Photograph Stranger Unknowable
As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
JOHN BERGER

Boycott Celebrity Circumstance Country Depend Government People Person Pont Principle Tactic Upon Way
Whenever he looked he saw the labour of existence; and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
JOHN BERGER

Constitute Country Existence Labour Look People Recognised Saw Sky Vicent
Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
JOHN BERGER

Artist Country Event Influence might Outgoing Political Themselves Time Tragedies
We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.
JOHN BERGER

Accident Anything Birth Impossible Injustice May Nothing Remain
The stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky.
JOHN BERGER

Change Constellation Event Imagining Night People Sky Surround Threaded

Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.

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Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.

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