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We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.

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Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
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Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
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Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
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Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
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The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
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Every authentic poem contributes to the labour of poetry… to bring together what life has separated or violence has torn apart.
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What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.
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All weddings are similar, but every marriage is different.
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The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it’s something that theatre can do, but it’s rare; it’s very rare.
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To be naked is to be oneself.
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The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
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You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
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Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…
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Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.
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That we find a crystal or a poppy beautiful means that we are less alone, that we are more deeply inserted into existence than the course of a single life would lead us to believe.
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It is seeing which establishes our place in the surrounding world; we explain that world with words, but words can never undo the fact that we are surrounded by it
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Ethics determine choices and actions and suggest difficult priorities.
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Capitalism survives by forcing the majority, whom it exploits, to define their own interests as narrowly as possible.
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Hope is a contraband passed from hand to hand and story to story.
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The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter: the encounter between painter and model: even if the model is a mountain or a shelf of empty medicine bottles.
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A peasant becomes fond of his pig and is glad to salt away its pork.
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Without ethics man has no future. This is to say mankind without them cannot be itself.
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It is comparatively easy to achieve a certain unity in a picture by allowing one colour to dominate, or by muting all the colours.
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These contradictions both hide and increase the natural ambiguity of the photographic image.
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The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you.
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