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If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.

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Contribute Memories Photograph Stranger Unknowable

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Hope is a contraband passed from hand to hand and story to story.
JOHN BERGER

Contraband Hand Stories
Everything became exchangeable because everything became a commodity.
JOHN BERGER

Become Commodity Everything Exchangeable
Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace.
JOHN BERGER

Around Close Conquer Country Door Frame Look Place Renaissance Screen Survey Window
The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
JOHN BERGER

Authority Bureaucrat Glamorous Happiness Power Reside Suppose
Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
JOHN BERGER

Audience Cinema Deep Individually Nature Ritual Theatre Transport Unknown
The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
JOHN BERGER

Address Animal Cave Man Men Mountain Sea Secret Specifically Unlike
Writers who have neither product utopian trash.
JOHN BERGER

Neither Product Truth Utopian Writer
The camera relieves us of the burden of memory.
JOHN BERGER

Burden Camera Memories Photography Recieve
When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
JOHN BERGER

Earth Field Gesture Imagination Paint Ploughed Reality Road Roadmaker Turn Warth
As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
JOHN BERGER

Boycott Celebrity Circumstance Country Depend Government People Person Pont Principle Tactic Upon Way
The century of people helplessly seeing others, who were close to them, disappear over the horizon.
JOHN BERGER

Century Close Disappear Helpless Horizon Other People See
For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
JOHN BERGER

Behind Biographical Curtain Geographical Landmark Longer Personal
We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination
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Calculate Destination Draws Invisible Make Observed Something Visible
We only see what we look at. To look is an act of choice.
JOHN BERGER

Act Choice Look Only See
The woman’s sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
JOHN BERGER

Feel May Minimize Monopoly Need Passion Sexual Spectator Such Women
All creation is in the art of seeing.
JOHN BERGER

All Creation Art See
To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude.
JOHN BERGER

Naked Oneness Oneself Order Other Recognize Sight
This is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth.
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Accept Callous Human Inhuman Know Live Society Worth
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
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Behind Bourgeois Building Conservatories Door Furniture Galleries Go House Shutting Street Way
The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.
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Back Herself Love Offer Price Product Publicity Stealing
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
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Achievement Behind Deceptive Landscape Life Seem Setting Sometimes Struggle Success
The human imagination… has great difficulty in living strictly within the confines of a materialist practice or philosophy.
JOHN BERGER

Confine Difficulty Dog Dream Human Imagination Live Materialist Philosophy Practice Strict
Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
JOHN BERGER

Absence Painting Presence Real Something Thing
What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
JOHN BERGER

Achieve All Art Cinema Mankind People Save Sky Spontaneous
It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
JOHN BERGER

Art Bourgeoisie Cinema Discover Learn People Popular Princes Single Sky Vagrant
What is to happen next will take place within the four walls of the story. And this is possible because the story’s voice makes everything its own.
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Everything Four Happen Make Place Possible Story Take Wall
That we find a crystal or a poppy beautiful means that we are less alone, that we are more deeply inserted into existence than the course of a single life would lead us to believe.
JOHN BERGER

Alone Beautiful Believe Crystal Deeply Existence Less More Nature Ours Poppy

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