Traditional Chinese art looked at the Earth from a Confucian mountain top;
JOHN BERGERA drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
More John Berger Quotes
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If every event which occurred could be given a name, there would be no need for stories.
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I can’t tell you what art does and how it does it, but I know that often art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
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For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.
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Emigration, forced or chosen, across national frontiers or from village to metropolis, is the quintessential experience of our time.
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A man’s presence suggests what he is capable of doing to you or for you.
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It is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.
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If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
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When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
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Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
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Autobiography begins with a sense of being alone. It is an orphan form.
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Today the discredit of words is very great.
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It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
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Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
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A peasant becomes fond of his pig and is glad to salt away its pork.
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You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
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Every authentic poem contributes to the labour of poetry… to bring together what life has separated or violence has torn apart.
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Writers who have neither product utopian trash.
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At times failure is very necessary for the artist. It reminds him that failure is not the ultimate disaster. And this reminder liberates him from the mean fussing of perfectionism.
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All photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings.
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We follow songs in order to be enclosed. We find ourselves inside a message.
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Seeing comes before words. The child looks and recognizes before it can speak.
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One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
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But toemigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.
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We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination
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A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
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Those who first invented and then named the constellations were storytellers.
JOHN BERGER