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Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.

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Add All Cutting Daily Future Mean Media Modernism Past Presently

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Your lips, beloved, are like a honeycomb: honey and milk are under the tongue. And the smell of your clothes is like the smell of my home.
JOHN BERGER

Beloved Clothes Home Honeycomb Like Lip Milk Smell Tongue
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER

Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring
Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
JOHN BERGER

Continual Define Poetry Reassembking Repair Scattered Separate Space
Everything became exchangeable because everything became a commodity.
JOHN BERGER

Become Commodity Everything Exchangeable
Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
JOHN BERGER

Add All Cutting Daily Future Mean Media Modernism Past Presently
A man’s presence suggests what he is capable of doing to you or for you.
JOHN BERGER

Capable Contrast Done Men Presence Suggest You
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
JOHN BERGER

Almost Being Certainly Certainty Need Painting Pianist Something
The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can’t do is to change its consequences.
JOHN BERGER

Consequences Exactly Past Prisoner Wish
Today the discredit of words is very great.
JOHN BERGER

Discredit Great Hijacking Today Word
Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama.
JOHN BERGER

Actor Art Before Both Bring Cinema Compare Drama Dramatix Nature Public Right Season
A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
JOHN BERGER

Allow Boycott Consider Craven Distinct Elected Government People Pressure Tactic
I wanted to write about looking at the world, so it’s more about helping people, or persuading people, to see what is around us; both the marvellous and the terrible.
JOHN BERGER

Around Help Look Marvelous People See Terrible Want World Writing
Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
JOHN BERGER

Animal Beyond Blindly Encounter Flicker Gaze Look Most Pass Stranger
The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
JOHN BERGER

Address Animal Cave Man Men Mountain Sea Secret Specifically Unlike
Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
JOHN BERGER

Artist Celebrity Country Drawing Epson Expert Like Most Often People Picasso Rembrandts
Publicity is the life of this culture – in so far as without publicity capitalism could not survive – and at the same time publicity is its dream.
JOHN BERGER

Capitalism Culture Dream Publicity Same Time
The zoo cannot but disappoint.
JOHN BERGER

Animal Disappoint Pet Zoos
Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
JOHN BERGER

Communication Emotive Network Pace Permanent Propaganda Reflection Require Slogan Stifie Systematically
You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER

Bureaucrat Greater Illusion Impersonal Interest Observe Others Power Themselves
Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.
JOHN BERGER

Experience Give Giving Moment Narrative Normal Offer Planet Public Sense Space
Men look at women. Women watch themselves being looked at.
JOHN BERGER

Aqtch Look Men Sight Vision Women
Those who first invented and then named the constellations were storytellers.
JOHN BERGER

Constellation First Invented Named Night Sky Star Storyteller
We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination
JOHN BERGER

Calculate Destination Draws Invisible Make Observed Something Visible
For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
JOHN BERGER

Appearance Arena Continually Cro Intermittent Magnon Metaphysical Space
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.
JOHN BERGER

Doe Drawing Image Imitation Life Photograph Photography Rendering Subject Trace Unlike Viewer Visual
It can happen that a book, unlike its authors, grows younger as the years pass.
JOHN BERGER

Book Grow Pass Unlike Year Younger
By contrast, a woman’s presence… defines what can and cannot be done to her.
JOHN BERGER

Contrast Define Done Her Presence Women

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