Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGERWhat makes photography a strange invention is that its primary raw materials are light and time.
More John Berger Quotes
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To be desired is perhaps the closest anybody in this life can reach to feeling immortal.
JOHN BERGER -
The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
JOHN BERGER -
Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
JOHN BERGER -
No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
JOHN BERGER -
Autobiography begins with a sense of being alone. It is an orphan form.
JOHN BERGER -
Those who first invented and then named the constellations were storytellers.
JOHN BERGER -
Do you know the legend about cicadas? They say they are the souls of poets who cannot keep quiet because, when they were alive, they never wrote the poems they wanted to.
JOHN BERGER -
It can happen that a book, unlike its authors, grows younger as the years pass.
JOHN BERGER -
All photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings.
JOHN BERGER -
Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
JOHN BERGER -
Compassion has no place in the natural order of the world which operates on the basis of necessity.
JOHN BERGER -
Today the discredit of words is very great.
JOHN BERGER -
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGER -
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER -
Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.
JOHN BERGER -
For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
JOHN BERGER -
All creation is in the art of seeing.
JOHN BERGER -
When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
JOHN BERGER -
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.
JOHN BERGER -
The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
JOHN BERGER -
You cant draw it for others. You can try, of course, but it doesn’t work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
JOHN BERGER -
It dreams, like a dog in its basket, of hares in the open.
JOHN BERGER -
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER -
Hair is associated with sexual power. With passion.
JOHN BERGER -
For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
JOHN BERGER -
Everything became exchangeable because everything became a commodity.
JOHN BERGER