At times failure is very necessary for the artist. It reminds him that failure is not the ultimate disaster. And this reminder liberates him from the mean fussing of perfectionism.
JOHN BERGERWhen we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
More John Berger Quotes
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Pleasure and pain need to be considered together; they are inseparable. Yet the space filled by each is perhaps different. Pleasure, defined as a sense of gratification, is essential for nature
JOHN BERGER -
What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGER -
That we find a crystal or a poppy beautiful means that we are less alone, that we are more deeply inserted into existence than the course of a single life would lead us to believe.
JOHN BERGER -
One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
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To remain innocent may also be. to remain ignorant.
JOHN BERGER -
Hair is associated with sexual power. With passion.
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Photography, because it stops the flow of life, is always flirting with death.
JOHN BERGER -
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it.
JOHN BERGER -
Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
JOHN BERGER -
Ethics determine choices and actions and suggest difficult priorities.
JOHN BERGER -
The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
JOHN BERGER -
Every authentic poem contributes to the labour of poetry… to bring together what life has separated or violence has torn apart.
JOHN BERGER -
Glamour cannot exist without personal social envy being a common and widespread emotion.
JOHN BERGER -
It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together.
JOHN BERGER -
There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].
JOHN BERGER -
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER -
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER -
You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGER -
It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
JOHN BERGER -
By contrast, a woman’s presence… defines what can and cannot be done to her.
JOHN BERGER -
Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
JOHN BERGER -
A peasant becomes fond of his pig and is glad to salt away its pork.
JOHN BERGER -
The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
JOHN BERGER -
For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
JOHN BERGER -
These contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGER -
We never look at just one thing; we are always looking at the relation between things and ourselves.
JOHN BERGER