Every authentic poem contributes to the labour of poetry… to bring together what life has separated or violence has torn apart.
JOHN BERGERGlamour cannot exist without personal social envy being a common and widespread emotion.
More John Berger Quotes
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Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
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The century of people helplessly seeing others, who were close to them, disappear over the horizon.
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Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
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Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
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In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
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Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
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Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.
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One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
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Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
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The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
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No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
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Compassion opposes this order and is therefore best thought of as being in some way supernatural.
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The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object – and most particularly an object of vision: a sight.
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When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
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Traditional Chinese art looked at the Earth from a Confucian mountain top;
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The zoo cannot but disappoint.
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The stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky.
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When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
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Hope is a contraband passed from hand to hand and story to story.
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Never again shall a single story be told as though it were the only one.
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There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].
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This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
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What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.
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Publicity is the life of this culture – in so far as without publicity capitalism could not survive – and at the same time publicity is its dream.
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Ethics determine choices and actions and suggest difficult priorities.
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To remain innocent may also be. to remain ignorant.
JOHN BERGER