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Tomorrow may be a bit better than today; and, after all, you have to have a little faith in people-doesn’t diminish the glamour that clings to the man who turned the question over and look at it, elegantly, upside down.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The loneliness of the expatriate is of an odd and complicated kind, for it is inseparable from the feeling of being free, of having escaped.
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Cooking is the showy side of domesticity.
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Of all the alchemies of human connection-sex and childbirth and marriage and friendship-the strangest is this:
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Music is a current of hard choices made to seem easy by the mind.
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A fact about photography: we can look at people’s faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states
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Lose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
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For me, the beauty of the blank page, or empty screen,staring up at nine thirty after two cups of coffee and a deep breath remains unique.
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It’s really our relief at no longer having to do things we were never good at doing in the first place – relief at never again having to dissect a frog or memorize the periodic table.
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Something is missing, we think. And so we long for the thing we’ve missed and can’t name, and out of that wanting – well, everything else rises, good and bad.
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The blankness invites scribbling on, mental drawing , and the best feeling I know – apart from the more obvious sensual ones – is the feeling of putting down the first thought and seeing it turn into symbols.
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Big writers become a kind of shared climate.
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Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
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I don’t miss the obligation to be opinionated, but I do regret the chance to share a joy.
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You learn to sing with, not argue at, your possible readers.
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Writing well isn’t just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in
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We breathe in our first language, and swim in our second.
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I think that we’re always drawn – particularly sophisticated people – are always drawn to the idea of simplicity.
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Going to a restaurant is one of my keenest pleasures. Meeting someplace with old and new friends, ordering wine, eating food, surrounded by strangers
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A good analogy [Charlie Hebdo] in lots of ways is “South Park” – the hugely popular American cartoon show – and the things that the “South Park” creators have created, like “The Book Of Mormon,” the Broadway musical.
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Americans also seem to believe that the monarchy is a kind of mediaeval hangover, encumbered by premodern notions of decorum
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The future will be like the past, in the sense that, no matter how amazing or technologically advanced a society becomes
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.
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I am a guilty party here – to take, or get, undue credit for domestic virtue, when in truth cooking is the most painless and, in its ways, ostentatious of the domestic chores.
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That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
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Of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.
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I try to turn a written thing, when I’m in trouble with it, into a spoken thing: I start imagining what I would say to someone if I were trying to tell the story or make the argument.
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