For all the years I’d spent talking about pictures, the truth was that I had no idea how to draw or what it felt like to do it. I
ADAM GOPNIKNew York has always been a place where it is possible to have memories without the experience that conventionally precede them.
More Adam Gopnik Quotes
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The overwhelming and underlying desire for something truly terrible to happen so that you could have something really hot to talk about – was still startling.
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Cooking is the showy side of domesticity.
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This alchemy, of self-absorption into shared experience, is the alchemy of all literature.
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Merely that you start off with ideas buzzing around in your head, and then you try to give them the simpler, more graceful shape, of a feeling that a reader might share.
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Art without accomplishment becomes a form of faith, sustained more by the intensity of its common practice than by the pleasure it gives to its adherents in private.
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Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.
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I think that we’re always drawn – particularly sophisticated people – are always drawn to the idea of simplicity.
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That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
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I think is the core of what it means to live a civilised life.
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The future will be like the past, in the sense that, no matter how amazing or technologically advanced a society becomes
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I think – the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
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Music is a current of hard choices made to seem easy by the mind.
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Drawing is one of those things which sit on the uneasy bending line between instinct and instruction, where seeming perversity eventually trumps pleasure as the card players and the kibitzers interact and new thrills are sought.
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All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
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Of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.
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The sin of capitalism, perhaps, is to make wants feel like needs, to give to simple silly stuff the urgency of near-physical necessity: I must have it.
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Writing well isn’t just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in
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Writing is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
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We call disasters unimaginable, but all we do is imagine such things. […]
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I am a guilty party here – to take, or get, undue credit for domestic virtue, when in truth cooking is the most painless and, in its ways, ostentatious of the domestic chores.
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New York has always been a place where it is possible to have memories without the experience that conventionally precede them.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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The reality is that the British monarchy, for good or ill, is a modern political institution – perhaps the first modern political institution.
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In bookstores, my stuff is usually filed in the out-of-the-way, additional interest sections.
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Love, like light, is a thing that is enacted better than defined: we know it afterward by the traces it leaves on paper.
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In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
ADAM GOPNIK