“The future will be like the past, in the sense that, no matter how amazing or technologically advanced a society becomes”

Drawing is one of those things which sit on the uneasy bending line between instinct and instruction, where seeming perversity eventually trumps pleasure as the card players and the kibitzers interact and new thrills are sought.

When handsome men or beautiful women take up the work of the intellect, it impresses us because we know they could have chosen other paths to being impressive.

Often the block [in writing] comes from the wall of words that keep out the simplicity of sense.

That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.

For all the years I’d spent talking about pictures, the truth was that I had no idea how to draw or what it felt like to do it. I

Of all the alchemies of human connection-sex and childbirth and marriage and friendship-the strangest is this:

The blankness invites scribbling on, mental drawing , and the best feeling I know – apart from the more obvious sensual ones – is the feeling of putting down the first thought and seeing it turn into symbols.

Men choose Hamlet because every man sees himself as a disinherited monarch. .

In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.

Something is missing, we think. And so we long for the thing we’ve missed and can’t name, and out of that wanting – well, everything else rises, good and bad.

Americans also seem to believe that the monarchy is a kind of mediaeval hangover, encumbered by premodern notions of decorum

In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.

Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow?

If I were a devout Mormon, I would be offended by a lot of things that go on in “The Book Of Mormon,” right?

New York has always been a place where it is possible to have memories without the experience that conventionally precede them.

Of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.