The World Series is played in my doubtless too-nostalgic imagination in some kind of autumn afternoon light, and seeing it exclusively in the bitter chill of midnight breaks the spell of even the best of games.
ADAM GOPNIKFor a first look at someone we may sleep with, or a last look at someone we love.
More Adam Gopnik Quotes
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I don’t miss the obligation to be opinionated, but I do regret the chance to share a joy.
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It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end-easy does it
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Music is a current of hard choices made to seem easy by the mind.
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A good analogy [Charlie Hebdo] in lots of ways is “South Park” – the hugely popular American cartoon show – and the things that the “South Park” creators have created, like “The Book Of Mormon,” the Broadway musical.
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I think that we’re always drawn – particularly sophisticated people – are always drawn to the idea of simplicity.
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Protein was the most valued ingredient 250 years ago: It was the rarest thing. Now the rarest thing we have is time: time to cook and time to eat.
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Of all the unexpected things in contemporary literature, this is among the oddest: that kids have an inordinate appetite for very long, very tricky, very strange books about places that don’t exist…
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Good editorial writing has less to do with winning an argument, since the other side is mostly not listening, than with telling the guys on your side how they ought to sound when they’re arguing.
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We don’t know that we’ve lost half a minute from our lives but we feel it somehow, we feel its absence.
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If we are willing to act violently in pursuit of a peripheral interest, everyone can be certain that, when a vital interest is at stake, we will be still more violent.
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I think – the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
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American long for a closed society in which everything can be bought, where laborers are either hidden away or dressed up as nonhumans, so as not to be disconcerting. This place is called Disney World.
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The scale and the brutality of our prisons are the moral scandal of American life.
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Fanaticism comes in as many flavors as there are human beings.
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In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
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All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
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The basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
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Art without accomplishment becomes a form of faith, sustained more by the intensity of its common practice than by the pleasure it gives to its adherents in private.
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The sin of capitalism, perhaps, is to make wants feel like needs, to give to simple silly stuff the urgency of near-physical necessity: I must have it.
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Merely that you start off with ideas buzzing around in your head, and then you try to give them the simpler, more graceful shape, of a feeling that a reader might share.
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Lose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.
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Writing is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
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A fact about photography: we can look at people’s faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states
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The relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios
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Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow?
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For all the years I’d spent talking about pictures, the truth was that I had no idea how to draw or what it felt like to do it. I
ADAM GOPNIK