The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter: the encounter between painter and model: even if the model is a mountain or a shelf of empty medicine bottles.
JOHN BERGERThose who first invented and then named the constellations were storytellers.
More John Berger Quotes
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Never chain your dogs together with sausages. One must accustom one’s self to be bored.
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What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
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To remain innocent may also be. to remain ignorant.
JOHN BERGER -
Glamour cannot exist without personal social envy being a common and widespread emotion.
JOHN BERGER -
Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.
JOHN BERGER -
The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
JOHN BERGER -
Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.
JOHN BERGER -
This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
JOHN BERGER -
I wanted to write about looking at the world, so it’s more about helping people, or persuading people, to see what is around us; both the marvellous and the terrible.
JOHN BERGER -
All photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings.
JOHN BERGER -
Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
JOHN BERGER -
Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.
JOHN BERGER -
History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
JOHN BERGER -
Traditional Chinese art looked at the Earth from a Confucian mountain top;
JOHN BERGER -
To be naked is to be oneself.
JOHN BERGER -
All weddings are similar, but every marriage is different.
JOHN BERGER -
Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER -
Everything became exchangeable because everything became a commodity.
JOHN BERGER -
The woman’s sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
JOHN BERGER -
The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.
JOHN BERGER -
All creation is in the art of seeing.
JOHN BERGER -
Every authentic poem contributes to the labour of poetry… to bring together what life has separated or violence has torn apart.
JOHN BERGER -
Ours is the century of enforced travel of disappearances.
JOHN BERGER -
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER -
Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER -
Never again shall a single story be told as though it were the only one.
JOHN BERGER