“The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.”

Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.

For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.

When we read a story, we inhabit it. The covers of the book are like a roof and four walls.

Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…

A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.

Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.

There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].

The human imagination… has great difficulty in living strictly within the confines of a materialist practice or philosophy.

To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognised for oneself.

What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and not by a but.

A cigarette is a breathing space. It makes a parenthesis.

The relation between what we see and what we know is never settled. Each evening we see the sun set.

Men look at women. Women watch themselves being looked at.

Compassion opposes this order and is therefore best thought of as being in some way supernatural.

(The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display. To be naked is to be without disguises.

What distinguished man from animals was the human capacity for symbolic thought, the capacity which was inseparable from the development of language in which words were not mere signals, but signifiers of something other than themselves.