Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…
JOHN BERGER(The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display. To be naked is to be without disguises.
More John Berger Quotes
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A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
JOHN BERGER -
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER -
Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
JOHN BERGER -
Never chain your dogs together with sausages. One must accustom one’s self to be bored.
JOHN BERGER -
There’s the artist’s intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn].
JOHN BERGER -
The human imagination… has great difficulty in living strictly within the confines of a materialist practice or philosophy.
JOHN BERGER -
Ours is the century of enforced travel of disappearances.
JOHN BERGER -
The spectator-buyer is meant to envy herself as she will become if she buys the product.
JOHN BERGER -
I can’t tell you what art does and how it does it, but I know that often art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER -
A peasant becomes fond of his pig and is glad to salt away its pork.
JOHN BERGER -
A man’s presence suggests what he is capable of doing to you or for you.
JOHN BERGER -
In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can begin to be credible unless it is informed by political awareness and principles.
JOHN BERGER -
Without ethics man has no future. This is to say mankind without them cannot be itself.
JOHN BERGER -
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER -
Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
JOHN BERGER -
Tracing an imaginary line between a cluster of stars gave them an image and an identity.
JOHN BERGER -
A tactic which allows people, as distinct from their elected but often craven governments, to apply a certain pressure on those wielding power in what they, the boycotters, consider to be an unjust or immoral way.
JOHN BERGER -
Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
JOHN BERGER -
To be naked is to be oneself.
JOHN BERGER -
You cant draw it for others. You can try, of course, but it doesn’t work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
JOHN BERGER -
The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
JOHN BERGER -
What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGER -
Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
JOHN BERGER -
Photographs bear witness to a human choice being exercised in a given situation.
JOHN BERGER -
Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
JOHN BERGER -
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
JOHN BERGER