Emigration, forced or chosen, across national frontiers or from village to metropolis, is the quintessential experience of our time.
JOHN BERGEROil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
More John Berger Quotes
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No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
JOHN BERGER -
What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
JOHN BERGER -
The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority.
JOHN BERGER -
Your lips, beloved, are like a honeycomb: honey and milk are under the tongue. And the smell of your clothes is like the smell of my home.
JOHN BERGER -
One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
JOHN BERGER -
Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
JOHN BERGER -
Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
JOHN BERGER -
For those who are behind the curtain, landmarks are no longer only geographic but also biographical and personal
JOHN BERGER -
The woman’s sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
JOHN BERGER -
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGER -
Ethics determine choices and actions and suggest difficult priorities.
JOHN BERGER -
The time of a cigarette is a parenthesis, and if it is shared, you are both in that parenthesis. Its like a proscenium arch for a dialogue.
JOHN BERGER -
Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
JOHN BERGER -
The essence of songs is neither vocal nor cerebral but organic.
JOHN BERGER -
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents takes place.
JOHN BERGER -
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it’s something that theatre can do, but it’s rare; it’s very rare.
JOHN BERGER -
The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter: the encounter between painter and model: even if the model is a mountain or a shelf of empty medicine bottles.
JOHN BERGER -
Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress.
JOHN BERGER -
For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances.
JOHN BERGER -
What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
JOHN BERGER -
The relation between what we see and what we know is never settled. Each evening we see the sun set.
JOHN BERGER -
Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
JOHN BERGER -
A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
JOHN BERGER -
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER -
Glamour cannot exist without personal social envy being a common and widespread emotion.
JOHN BERGER -
Never again shall a single story be told as though it were the only one.
JOHN BERGER