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The heart of Paris is like nothing so much as the unending interior of a house.

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Common-sense is part of the home-made ideology of those who have been deprived of fundamental learning, of those who have been kept ignorant.
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By contrast, a woman’s presence… defines what can and cannot be done to her.
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She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself.
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Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
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The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
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The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you.
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Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress.
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Photography, because it stops the flow of life, is always flirting with death.
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If every event which occurred could be given a name, there would be no need for stories.
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These contradictions both hide and increase the natural ambiguity of the photographic image.
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Today the discredit of words is very great.
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A drawing is essentially a private work, related only to the artist’s own needs; a ‘finished’ statue or canvas is essentially a public, presented work – related far more directly to the demands of communication.
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The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can’t do is to change its consequences.
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Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
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Picasso drawings are like that… the Rembrandts are like that. The artist who most often did that was Van Gogh.
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To be desired is perhaps the closest anybody in this life can reach to feeling immortal.
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The essence of songs is neither vocal nor cerebral but organic.
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What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
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Ethics determine choices and actions and suggest difficult priorities.
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Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
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When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
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What makes photography a strange invention is that its primary raw materials are light and time.
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You are observed with interest but you do not observe with interest – if you do, you will become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
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Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
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No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
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