There’s too many good musicians around for the music around for the business to be sagging.
JIMMY PAGEFrom the classical guitar right through to the furthest electrical experiments and everything in-between, it’s amazing what the guitar can actually do. I mean, when one thinks about sounds.
More Jimmy Page Quotes
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I’m very fortunate because I love what I’m doing.
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I’m not afraid of death. That is the greatest mystery of all. That’ll be it, that one. But it is all a race against time.
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There’s such a wealth of arts and styles within the guitar… flamenco, jazz, rock, blues. You name it, it’s there. In the early days my dream was to fuse all those styles. Now composing has become just as important.
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I’m not a guitarist as far as a technician goes, I just pick it up and play it. Technique doesn’t come into it.
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There’s always music that moves me. It doesn’t necessarily mean that it’s within the parenthesis of rock or blues, or whatever. It’s usually far more reaching than that. It can be in many different genres.
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There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That’s a personal point of view but that’s the way I see it. I think that’s what it’s all about. The drive, the fire, the passion – it all comes out on the guitar.
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If you’re working at the factory and you’re cursing every day that you get up, at all costs get out of it. You’ll just make yourself ill.
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I think it was that we were really seasoned musicians. We had serious roots that spanned different cultures, obviously the blues.
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My favorite guitar solo of all time was Elliot Randall’s on `Reelin’ In The Years’.
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I played guitar all my life, all the way through the Yardbirds, but I knew that for me this was going to be a guitar vehicle, because that’s what I wanted it to be.
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You can’t overthink the music. Mood and intensity can’t be manufactured. The blues isn’t about structure; it’s what you bring to it. The spontaneity of capturing a specific moment is what drives it.
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The greatest satisfaction is not the decoration. It is knowing that I am able to help someone who needs help.
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The blues appealed to me, but so did rock. The early rockabilly guitarists like Cliff Gallup and Scotty Moore were just as important to me as the blues guitarists.
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I will still carry on changing all the time.
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There’s music that can affect people in their lives, and they will always relate to the point that they heard it and experienced it, either if you’re playing it or you’re receptive, as an audience.
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Once I get onstage the tension explodes and I’m fine. I’m in another world – in a trance almost, doing what I love best, expressing myself through guitar.
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I don’t care what critics and other people think.
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The way I see it, rock & roll is folk music. Street music. It isn’t taught in school. It has to be picked up.
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When I went over to the States to promote Outrider, everyone was telling me I was a blues guitarist. I’m not a bloody blues guitarist. I’m a guitarist.
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I’ve never regretted anything I’ve ever done.
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I don’t feel I have to top myself at all.
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Domesticity and all that isn’t really for me.
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Live Aid did feel like one hour’s rehearsal after several years, but to be part of Live Aid was wonderful. It reall was.
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So far I’ve been very, very fortunate because it appears that people like to hear the music I like to play. What more fortunate position can a musician be in?
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When you hear the melodic structures of what classical musicians put together and you compare it to that of a rock & roll record, there’s a hell of a long way rock & roll has to go.
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I’m just looking for an angel with a broken wing.
JIMMY PAGE