I played guitar all my life, all the way through the Yardbirds, but I knew that for me this was going to be a guitar vehicle, because that’s what I wanted it to be.
JIMMY PAGEThe only term I won’t accept is “genius.”
More Jimmy Page Quotes
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I don’t care what critics and other people think.
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I can listen to all different sorts of music. I don’t really care about The Next Big Thing.
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Right from the first time we went to America in 1968, Led Zeppelin was a word-of-mouth thing. You can’t really compare it to how it is today.
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All my houses are isolated. Many is the time I just stay home alone.
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Once I get onstage the tension explodes and I’m fine. I’m in another world – in a trance almost, doing what I love best, expressing myself through guitar.
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There’s so much that can be done on the guitar. And that’s what is so good about the guitar – everyone can really enjoy themselves on it and have a good time, which is what it’s all about.
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You don’t find geniuses in street musicians, but that doesn’t mean to say you can’t be really good.
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The element of change has been the thing, really. We put out the first one, then the second… then a third LP totally different from them. It’s the reason we were able to keep it together.
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Live Aid did feel like one hour’s rehearsal after several years, but to be part of Live Aid was wonderful. It reall was.
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Music can always be a life-changing experience, for musicians and fans, or at least life-affecting, but it depends on to what degree.
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If you’re working at the factory and you’re cursing every day that you get up, at all costs get out of it. You’ll just make yourself ill.
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You can’t overthink the music. Mood and intensity can’t be manufactured. The blues isn’t about structure; it’s what you bring to it. The spontaneity of capturing a specific moment is what drives it.
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There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That’s a personal point of view but that’s the way I see it. I think that’s what it’s all about. The drive, the fire, the passion – it all comes out on the guitar.
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I’m attracted by the unknown, but I take precautions.
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You absorb so much from whatever your environment is, as an artist, and you learn to take from it what can help you create.
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I don’t feel I have to top myself at all.
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The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you’re talking about the Delta blues or music from Middle Eastern and African cultures.
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I know where I’m going musically. I can see my pattern and I’m going much slower than I thought I’d be going.
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I’m still terrified of flying. I really have to get drunk to fly. I’ve found that I’ve developed fears I never had before… fears of heights, claustrophobia only in cities, though, never in the country.
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But to put out a greatest hits on one CD was totally impossible, I just couldn’t do it. The best compromise was to put out two CDs – Early Days – which is what it is – and Latter Days.
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You can’t just find yourself doing something and not happy doing it.
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If you are on to something creative, school can also inhibit you. The wrong teacher, man, can really mess you up.
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I like change and I like contrast.
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I’m not a guitarist as far as a technician goes, I just pick it up and play it. Technique doesn’t come into it.
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Sometimes, I must admit, I’d like to have a second guitarist onstage with me, but it wouldn’t look right. I’d like to play for another 20 years, but I don’t know. I just can’t see it happening. I don’t know why. It’s a certain foreboding. A funny feeling. Vultures.
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I have a voracious appetite for all things, worldly and unworldly.
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