“Every record is a portrait of the band at that time.”

I always thought the good thing about the guitar was that they didn’t teach it in school.

I will still carry on changing all the time.

You don’t find geniuses in street musicians, but that doesn’t mean to say you can’t be really good.

A lot of people can’t be on their own. They get frightened. Isolation doesn’t bother me at all. It gives me a sense of security.

I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened.

I know where I’m going musically. I can see my pattern and I’m going much slower than I thought I’d be going.

I don’t like being stuck in one situation, day to day.

Live Aid did feel like one hour’s rehearsal after several years, but to be part of Live Aid was wonderful. It reall was.

When you hear the melodic structures of what classical musicians put together and you compare it to that of a rock & roll record, there’s a hell of a long way rock & roll has to go.

Everything that came later… the roots are all there in the first album.

I like change and I like contrast.

I’m still terrified of flying. I really have to get drunk to fly. I’ve found that I’ve developed fears I never had before… fears of heights, claustrophobia only in cities, though, never in the country.

I’m not a guitarist as far as a technician goes, I just pick it up and play it. Technique doesn’t come into it.

Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you’re playing an instrument that is really hard.

Let’s just say I’m like a ship passing through storms, resting in ports now and then until it’s time to continue the journey. I once told a friend, `I’m just looking for an angel with a broken wing – one that couldn’t fly away.’

There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That’s a personal point of view but that’s the way I see it. I think that’s what it’s all about. The drive, the fire, the passion – it all comes out on the guitar.