I know where I’m going musically. I can see my pattern and I’m going much slower than I thought I’d be going.
JIMMY PAGEDomesticity and all that isn’t really for me.
More Jimmy Page Quotes
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There’s so much that can be done on the guitar. And that’s what is so good about the guitar – everyone can really enjoy themselves on it and have a good time, which is what it’s all about.
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I will still carry on changing all the time.
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Live Aid did feel like one hour’s rehearsal after several years, but to be part of Live Aid was wonderful. It reall was.
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Every record is a portrait of the band at that time.
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I’m still terrified of flying. I really have to get drunk to fly. I’ve found that I’ve developed fears I never had before… fears of heights, claustrophobia only in cities, though, never in the country.
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There’s a certain standard in classical music that allows the application of the term “genius,” but you’re treading on thin ice if you start applying it to rock & rollers.
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There are very few people I can call real, close friends. They’re very, very precious to me.
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I don’t like to tell people what format they can get things in, or say, “I’m only going to release this on vinyl and nothing else. You have to come to my world.” I don’t like to say that to people either. But, I do think there’s a loss of romance.
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Domesticity and all that isn’t really for me.
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Music can always be a life-changing experience, for musicians and fans, or at least life-affecting, but it depends on to what degree.
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I like change and I like contrast.
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The term “genius” gets used far too loosely in rock & roll.
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I guess the solo from ‘Achilles Last Stand’ is in the same tradition as the solo from ‘Stairway to Heaven’ It is on that level to me.
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Sometimes, I must admit, I’d like to have a second guitarist onstage with me, but it wouldn’t look right. I’d like to play for another 20 years, but I don’t know. I just can’t see it happening. I don’t know why. It’s a certain foreboding. A funny feeling. Vultures.
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I can listen to all different sorts of music. I don’t really care about The Next Big Thing.
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My guitar style was developed during that 10-year period. That’s me. That’s the way I play, and I don’t wish to play any other way. Our own individual identities are firmly stamped on this album.
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Seeing people’s faces, really getting off on them, makes me incredibly happy. Genuinely.
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I don’t like being stuck in one situation, day to day.
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You can’t overthink the music. Mood and intensity can’t be manufactured. The blues isn’t about structure; it’s what you bring to it. The spontaneity of capturing a specific moment is what drives it.
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Crowley didn’t have a very high opinion of women, and I don’t think he was wrong.
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The way I see it, rock & roll is folk music. Street music. It isn’t taught in school. It has to be picked up.
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But to put out a greatest hits on one CD was totally impossible, I just couldn’t do it. The best compromise was to put out two CDs – Early Days – which is what it is – and Latter Days.
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I love playing. If it was down to just that, it would be utopia.
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Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you’re playing an instrument that is really hard.
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I think it was that we were really seasoned musicians. We had serious roots that spanned different cultures, obviously the blues.
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I have a voracious appetite for all things, worldly and unworldly.
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