What I mean by an educated taste is someone who has the same tastes that I have.
EDWARD ALBEEWhen a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he is no longer a critic; he is a censor.
More Edward Albee Quotes
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Influence is a matter of selection – both acceptance and rejection.
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In a democracy you cannot stop public access to that art that will most misinform the people. You cannot stop people from being misinformed. But what you can do is to educate the people to the point that they will throw the rascals out.
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I created myself, and I’ll attack anybody I feel like.
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Creativity is magic. Don’t examine it too closely.
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Martha: Oh, I like your anger. I think that’s what I like about you most. Your anger.
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When a play enters my consciousness, is already a fairly well-developed fetus. I don’t put down a word until the play seems ready to be written.
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Why we are here is an impenetrable question.
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A lot interests me – but nothing surprises me particularly.
EDWARD ALBEE -
When a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he is no longer a critic; he is a censor.
EDWARD ALBEE -
Well, when you write about people of a certain age we are in a postsexual situation. If I write about younger people then I write sexually, because their drive is sexual. It depends upon the circumstances.
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Every monster was a man first.
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Being different is interesting; there’s nothing implicitly inferior or superior about it. Great difference, of course, produces natural caution; and if the differences are too extreme well, then, reality tends to fade away.
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The act of writing is an act of optimism. You would not take the trouble to do it if you felt that it didn’t matter.
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The act of creation, as you very well know, is a lonely and private matter and has nothing to do with the public area… the performance of the work one creates.
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First, I’ll kill the dog with kindness, and if that doesn’t work, I’ll just kill him.
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Writing has got to be an act of discovery. Finding out things about what one is writing about.
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Good writers define reality; bad ones merely restate it.
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Maybe it’s a little more pertinent now since the whole concept of evolution is being questioned by the know-nothing Republican right. Yes, maybe the play’s a little more pertinent now.
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Anything you put in a play – any speech – has got to do one of two things: either define character or push the action of the play along.
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A playwright has a responsibility in his society not to aid it, or comfort it, but to comment and criticize it.
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Audiences and, to a large extent, critics who want less from theater than it is possible for it to give. If everybody’s encouraged to want less, you’ll end up with less.
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As a playwright, I imagine that in one fashion or another I’ve been influenced by every single play I’ve ever experienced.
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Progress is a set of assumptions.
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People often ask me how long it takes me to write a play, and I tell them ‘all of my life.’
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If you have no wounds, how can you know if you’re alive?
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All serious art is being destroyed by commerce. Most people don’t want art to be disturbing. They want it to be escapist. I don’t think art should be escapist. That’s a waste of time.
EDWARD ALBEE