The act of writing is an act of optimism. You would not take the trouble to do it if you felt that it didn’t matter.
EDWARD ALBEEArt has an obligation to offend.
More Edward Albee Quotes
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When a play enters my consciousness, is already a fairly well-developed fetus. I don’t put down a word until the play seems ready to be written.
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Good writers define reality; bad ones merely restate it.
EDWARD ALBEE -
If you have no wounds, how can you know if you’re alive?
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Who’s afraid of Virginia Woolf means who’s afraid of the big bad wolf, who’s afraid of living life without false illusions.
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I don’t like symbolism that hits you over the head. A symbol should not be a cymbal.
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In a democracy you cannot stop public access to that art that will most misinform the people. You cannot stop people from being misinformed. But what you can do is to educate the people to the point that they will throw the rascals out.
EDWARD ALBEE -
I created myself, and I’ll attack anybody I feel like.
EDWARD ALBEE -
Progress is a set of assumptions.
EDWARD ALBEE -
I am not interested in living in a city where there isn’t a production by Samuel Beckett running.
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One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.
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Influence is a matter of selection – both acceptance and rejection.
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I have learned that neither kindness or cruelty by themselves, or independent of each other, create any effect beyond themselves.
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Death is release, if you’ve lived all right.
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School curriculum that ignore the arts produce highly educated Barbarians.
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There is chaos behind the civility, of course.
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One has always got to be terribly careful, since the theater is made up of a whole bunch of prima donnas, not to let the distortions occur.
EDWARD ALBEE -
There are always going to be more actors than anybody can ever use.
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Maybe it’s a little more pertinent now since the whole concept of evolution is being questioned by the know-nothing Republican right. Yes, maybe the play’s a little more pertinent now.
EDWARD ALBEE -
Martha: Oh, I like your anger. I think that’s what I like about you most. Your anger.
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It always seems to me better to slough off the answer to a question that I consider to be a terrible invasion of privacy – the kind of privacy that a writer must keep for himself.
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Sometimes it’s necessary to go a long distance out of the way in order to come back a short distance correctly.
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There are only two things to write about: life and death.
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A writer is a controlled schizophrenic.
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I find relatively little relationship between the work of art and the immediate critical response it gets.
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First, I’ll kill the dog with kindness, and if that doesn’t work, I’ll just kill him.
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Well, when you write about people of a certain age we are in a postsexual situation. If I write about younger people then I write sexually, because their drive is sexual. It depends upon the circumstances.
EDWARD ALBEE