Musical beds is the faculty sport around here.
EDWARD ALBEEA writer is a controlled schizophrenic.
More Edward Albee Quotes
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Progress is a set of assumptions.
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I think I was probably wondering, having looked at human beings for a long time, wondering if evolution ever took place. And I still have my doubts.
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When people don’t like the way a play ends, they’re likely to blame the play.
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The most profound indication of social malignancy no sense of humor. None of the monoliths could take a joke.
EDWARD ALBEE -
It always seems to me better to slough off the answer to a question that I consider to be a terrible invasion of privacy – the kind of privacy that a writer must keep for himself.
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You’re alive only once, as far as we know, and what could be worse than getting to the end of your life and realizing you hadn’t lived it?
EDWARD ALBEE -
One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.
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It is a lazy public which promotes a slothful and irresponsible theater.
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There is chaos behind the civility, of course.
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I am pleased and reassured by the fact that a lot of younger playwrights seem to pay me some attention and gain some nourishment from what I do.
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There are only two things to write about: life and death.
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Good writers define reality; bad ones merely restate it.
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A play is fiction and fiction is fact distilled into truth.
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People often ask me how long it takes me to write a play, and I tell them ‘all of my life.’
EDWARD ALBEE -
That’s the happiest moment. When it’s all done. When we stop. When we can stop.
EDWARD ALBEE -
The responsibility of the writer is to be a sort of demonic social critic — to present the world and people in it as he sees it and say, “Do you like it? If you don’t like it, change it.
EDWARD ALBEE -
In a democracy you cannot stop public access to that art that will most misinform the people. You cannot stop people from being misinformed. But what you can do is to educate the people to the point that they will throw the rascals out.
EDWARD ALBEE -
Your source material is the people you know, not those you don’t know, but every character is an extension of the author’s own personality.
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I have been both overpraised and under praised. I assume by the time I finish writing — and I plan to go on writing until I’m 90 or gaga it will all equal itself out.
EDWARD ALBEE -
Very few people who met my adoptive mother in the last 20 years of her life could abide her, while many people who have seen my play find her fascinating. Heavens, what have I done?!
EDWARD ALBEE -
I am not interested in living in a city where there isn’t a production by Samuel Beckett running.
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Every monster was a man first.
EDWARD ALBEE -
There are always going to be more actors than anybody can ever use.
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Few sensible authors are happy discussing the creative process–it is, after all, black magic.
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I find relatively little relationship between the work of art and the immediate critical response it gets.
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One has always got to be terribly careful, since the theater is made up of a whole bunch of prima donnas, not to let the distortions occur.
EDWARD ALBEE