I am not interested in living in a city where there isn’t a production by Samuel Beckett running.
EDWARD ALBEEThere is chaos behind the civility, of course.
More Edward Albee Quotes
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One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.
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Sometimes it’s necessary to go a long distance out of the way in order to come back a short distance correctly.
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Your source material is the people you know, not those you don’t know, but every character is an extension of the author’s own personality.
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All serious art is being destroyed by commerce. Most people don’t want art to be disturbing. They want it to be escapist. I don’t think art should be escapist. That’s a waste of time.
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When people don’t like the way a play ends, they’re likely to blame the play.
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I find relatively little relationship between the work of art and the immediate critical response it gets.
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A playwright has a responsibility in his society not to aid it, or comfort it, but to comment and criticize it.
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I suppose, writing a play is finding out what the play is.
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Good writers define reality; bad ones merely restate it.
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As a playwright, I imagine that in one fashion or another I’ve been influenced by every single play I’ve ever experienced.
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If you’re willing to fail interestingly, you tend to succeed interestingly.
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I created myself, and I’ll attack anybody I feel like.
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That’s the happiest moment. When it’s all done. When we stop. When we can stop.
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Who’s afraid of Virginia Woolf means who’s afraid of the big bad wolf, who’s afraid of living life without false illusions.
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Influence is a matter of selection – both acceptance and rejection.
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The act of writing is an act of optimism. You would not take the trouble to do it if you felt that it didn’t matter.
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Art has an obligation to offend.
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A writer is a controlled schizophrenic.
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I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.
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It is a lazy public which promotes a slothful and irresponsible theater.
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Martha: Truth or illusion, George; you don’t know the difference. George: No, but we must carry on as though we did. Martha: Amen.
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American critics are like American universities. They both have dull and half-dead faculties.
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Remember one thing about democracy. We can have anything we want and at the same time, we always end up with exactly what we deserve.
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When a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he is no longer a critic; he is a censor.
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There are always going to be more actors than anybody can ever use.
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I have been both overpraised and under praised. I assume by the time I finish writing — and I plan to go on writing until I’m 90 or gaga it will all equal itself out.
EDWARD ALBEE