“If you have no wounds, how can you know if you’re alive?”

If you’re willing to fail interestingly, you tend to succeed interestingly.

I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.

What I mean by an educated taste is someone who has the same tastes that I have.

Death is release, if you’ve lived all right.

A play is fiction and fiction is fact distilled into truth.

Martha: Truth or illusion, George; you don’t know the difference. George: No, but we must carry on as though we did. Martha: Amen.

I think you remember everything, you just can’t bring it to mind all the time.

Every monster was a man first.

School curriculum that ignore the arts produce highly educated Barbarians.

A lot interests me – but nothing surprises me particularly.

The characters’ lives have gone on before the moment you chose to have the action of the play begin. And their lives are going to go on after you have lowered the final curtain on the play, unless you’ve killed them off.

The act of writing is an act of optimism. You would not take the trouble to do it if you felt that it didn’t matter.

Influence is a matter of selection – both acceptance and rejection.

It is a lazy public which promotes a slothful and irresponsible theater.

I find relatively little relationship between the work of art and the immediate critical response it gets.

There are only two things to write about: life and death.