Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.
DOROTHEA LANGEI’ve never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning – but some phase of photographer I’ve always been.
More Dorothea Lange Quotes
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… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
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The good photograph is not the object, the consequences of the photograph are the objects.
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The people who are garrulous and wear their heart on their sleeve and tell you everything, that’s one kind of person, but the fellow who’s hiding behind a tree and hoping you don’t see him is the fellow that you’d better find out why.
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This benefit of seeing…can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image…the viewer must be willing to pause, to look again, to meditate.
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Artists are controlled by the life that beats in them, like the ocean beats on the shore.
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No country has ever closely scrutinized itself visually … I know what we could make of it if people only thought we could dare look at ourselves.
DOROTHEA LANGE -
I’ve never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning – but some phase of photographer I’ve always been.
DOROTHEA LANGE -
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
DOROTHEA LANGE -
No country has ever closely scrutinized itself visually.
DOROTHEA LANGE -
Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
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Life, for people, begins to crumble on the edges; they don’t realize it.
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I believe in living with the camera, and not using the camera.
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It is not enough to photograph the obviously picturesque.
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You go into a room and you know where you’re welcome; you know where you’re unwelcome.
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To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.
DOROTHEA LANGE