That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.
DOROTHEA LANGESeeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
More Dorothea Lange Quotes
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I many times encountered courage, real courage. Undeniable courage. I’ve heard it said that that was the highest quality of the human animal.
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No country has ever closely scrutinized itself visually.
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I had to get my camera to register things that were more important than how poor they were–their pride, their strength, their spirit.
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A documentary photograph is not a factual photograph.
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I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.
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Sometimes in a hostile situation you stick around because hostility itself is important.
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The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else’s requirement but your own.
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The good photograph is not the object, the consequences of the photograph are the objects.
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Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
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It is no accident that the photographer becomes a photographer any more than the lion tamer becomes a lion tamer.
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I believe in living with the camera, and not using the camera.
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One should really use the camera as though tomorrow you’d be stricken blind.
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While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.
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Artists are controlled by the life that beats in them, like the ocean beats on the shore.
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Photography today appears to be in a state of flight… The familiar is made strange, the unfamiliar grotesque. The amateur forces his Sundays into a series of unnatural poses.
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The people who are garrulous and wear their heart on their sleeve and tell you everything, that’s one kind of person, but the fellow who’s hiding behind a tree and hoping you don’t see him is the fellow that you’d better find out why.
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This benefit of seeing…can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image…the viewer must be willing to pause, to look again, to meditate.
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Bring the viewer to your side, include him in your thought. He is not a bystander.
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… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
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I’ve never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning – but some phase of photographer I’ve always been.
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To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.
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Photography takes an instant out of time, altering life by holding it still.
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go in over your head, not just up to your neck.
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I believe that what we call beautiful is generally a by-product.
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I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.
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It is not enough to photograph the obviously picturesque.
DOROTHEA LANGE