No country has ever closely scrutinized itself visually.
DOROTHEA LANGEThe good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
More Dorothea Lange Quotes
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Sometimes in a hostile situation you stick around because hostility itself is important.
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The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
DOROTHEA LANGE -
That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.
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One should really use the camera as though tomorrow you’d be stricken blind.
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Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
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This benefit of seeing…can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image…the viewer must be willing to pause, to look again, to meditate.
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To me, beauty appears when one feels deeply, and art is an act of total attention.
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You know there are moments such as these when time stands still and all you do is hold your breath and hope it will wait for you.
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… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
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You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you.
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You go into a room and you know where you’re welcome; you know where you’re unwelcome.
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I believe that what we call beautiful is generally a by-product.
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The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else’s requirement but your own.
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To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.
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Life, for people, begins to crumble on the edges; they don’t realize it.
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Photography today appears to be in a state of flight… The familiar is made strange, the unfamiliar grotesque. The amateur forces his Sundays into a series of unnatural poses.
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Photographers stop photographing a subject too soon before they have exhausted the possibilities.
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The good photograph is not the object, the consequences of the photograph are the objects.
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The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
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I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.
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I encountered that many times, in unexpected places. And I have learned to recognize it when I see it.
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It is no accident that the photographer becomes a photographer any more than the lion tamer becomes a lion tamer.
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To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.
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A documentary photograph is not a factual photograph.
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I many times encountered courage, real courage. Undeniable courage. I’ve heard it said that that was the highest quality of the human animal.
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Pick a theme and work it to exhaustion… the subject must be something you truly love or truly hate.
DOROTHEA LANGE