I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.
DOROTHEA LANGENo country has ever closely scrutinized itself visually.
More Dorothea Lange Quotes
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The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
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Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
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The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
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Sometimes in a hostile situation you stick around because hostility itself is important.
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The camera is an instrument that teaches people how to see without a camera.
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You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you.
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Life, for people, begins to crumble on the edges; they don’t realize it.
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I believe that what we call beautiful is generally a by-product.
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Pick a theme and work it to exhaustion… the subject must be something you truly love or truly hate.
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One should really use the camera as though tomorrow you’d be stricken blind.
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The camera is an instrument that teaches people how to see without a camera.
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You go into a room and you know where you’re welcome; you know where you’re unwelcome.
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Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.
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Photography takes an instant out of time, altering life by holding it still.
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The people who are garrulous and wear their heart on their sleeve and tell you everything, that’s one kind of person, but the fellow who’s hiding behind a tree and hoping you don’t see him is the fellow that you’d better find out why.
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Bring the viewer to your side, include him in your thought. He is not a bystander.
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The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else’s requirement but your own.
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… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
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I many times encountered courage, real courage. Undeniable courage. I’ve heard it said that that was the highest quality of the human animal.
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Artists are controlled by the life that beats in them, like the ocean beats on the shore.
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I believe in living with the camera, and not using the camera.
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You know there are moments such as these when time stands still and all you do is hold your breath and hope it will wait for you.
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It is no accident that the photographer becomes a photographer any more than the lion tamer becomes a lion tamer.
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No country has ever closely scrutinized itself visually … I know what we could make of it if people only thought we could dare look at ourselves.
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The good photograph is not the object, the consequences of the photograph are the objects.
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To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.
DOROTHEA LANGE