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The visual life is an enormous undertaking, practically unattainable.

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Photographer Photography Unattainable Undertaking Visual

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Sometimes in a hostile situation you stick around because hostility itself is important.
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Around Hostile Important Itself Situation Sometimes
This benefit of seeing…can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image…the viewer must be willing to pause, to look again, to meditate.
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Benefits Come Extricate Impression Look Maddening Mob Pause Quick Quiet
Photography takes an instant out of time, altering life by holding it still.
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Alter Change Hold Inspirational Instant Life Photography Take
The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
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Consequences Good Lens Object Photograph Photography
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you.
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Along Around Body Camera Life Neck People Share Shoes Show
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
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Before Exhausted Photographer Possibility Soon Subject
No country has ever closely scrutinized itself visually.
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Closely Country Ever Itself Scruntinzed Visually
go in over your head, not just up to your neck.
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Go Head Neck Need Over Passion
That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.
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Being Frame Life Lost Make Mind Photography Picture Subject Wonderful Yourself
I believe that what we call beautiful is generally a by-product.
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Beautiful Believe Generally Product
Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
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Eye Life More Phenomenon Photography Psychological
To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.
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Enormous Life Live Touch Undertaking Visual
I many times encountered courage, real courage. Undeniable courage. I’ve heard it said that that was the highest quality of the human animal.
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Animal Courage Encounter Quality Real
No country has ever closely scrutinized itself visually … I know what we could make of it if people only thought we could dare look at ourselves.
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Close Country Itself Look People Scruntnize Visually
Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.
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Advantage Being Different Disabled People Perspective
I encountered that many times, in unexpected places. And I have learned to recognize it when I see it.
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Animal Courage Encounter Highest Said Time Undeniable
The good photograph is not the object, the consequences of the photograph are the objects.
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Consequence Good Object Photo Photograph
One should really use the camera as though tomorrow you’d be stricken blind.
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Blind Camera Photography Realy Styricken Tomorrow Use
Bring the viewer to your side, include him in your thought. He is not a bystander.
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Bystanders Perception Side Thought Viewer
It is not enough to photograph the obviously picturesque.
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Enough Life Obvious Photography Picturesque
Photography today appears to be in a state of flight… The familiar is made strange, the unfamiliar grotesque. The amateur forces his Sundays into a series of unnatural poses.
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Appear Fight Photography State Sunday Today
I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.
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Neck Over Photographer Realize Take You
A documentary photograph is not a factual photograph.
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Documentaries Factual Life Photography
We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
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Affiuelence Face People Photograph Poor Poverty Race
The camera is an instrument that teaches people how to see without a camera.
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Camera Creativity Inspirational Instrument People Photography Teaching
Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.
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Creative Effort Human Machine Need Time
You go into a room and you know where you’re welcome; you know where you’re unwelcome.
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Heart People Tree Unwelcome Welcome

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