“Photography is a lot like telling a large predatory cat what to do-while an audience of people you can’t see watches you.”

That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.

I believe in living with the camera, and not using the camera.

To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.

While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.

The people who are garrulous and wear their heart on their sleeve and tell you everything, that’s one kind of person, but the fellow who’s hiding behind a tree and hoping you don’t see him is the fellow that you’d better find out why.

Being disabled gave me an immense advantage. People are kinder to you. It puts you on a different level than if you go into a situation whole and secure.

We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.

Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.

Surefire things are deadening to the human spirit.

You know there are moments such as these when time stands still and all you do is hold your breath and hope it will wait for you.

I had to get my camera to register things that were more important than how poor they were–their pride, their strength, their spirit.

Photographers stop photographing a subject too soon before they have exhausted the possibilities.

The good photograph is not the object, the consequences of the photograph are the objects.

… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.

Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.

I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.

Right is Right even if nobody does it. Wrong is wrong even if everybody is wrong about it.

The ‘well-informed citizenry is in danger of becoming the ‘well-amused audience’.

You’ve got to keep your finger on the pulse of what your audience is thinking and know what they’ll accept from you.

If you are halfway smart, and you could really listen to the audience, you could really learn a lot.

Hong Kong film audiences are very quiet. It’s their culture.

I’d rather an audience like me than dislike me, but I’d rather they disliked me than be apathetic, because that is the kiss of death.

And lot of Asian audiences and reporters don’t like me to act as a bad guy. But I think I want to become an actor, I want to try different way.

The audience makes the decision of what kind of actor they want to watch. I always have said in the last 20 years, the real boss is the audience.