black
grey
blue
red
brown
white

I encountered that many times, in unexpected places. And I have learned to recognize it when I see it.

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No country has ever closely scrutinized itself visually.
DOROTHEA LANGE

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I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.
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The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
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To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.
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While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.
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Another Eye Life More Nothing Own Perhaps Photograph Photography Province
I had to get my camera to register things that were more important than how poor they were–their pride, their strength, their spirit.
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… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
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That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.
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I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.
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We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
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You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you.
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One should really use the camera as though tomorrow you’d be stricken blind.
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Bring the viewer to your side, include him in your thought. He is not a bystander.
DOROTHEA LANGE

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Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
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It is not enough to photograph the obviously picturesque.
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A documentary photograph is not a factual photograph.
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