You know there are moments such as these when time stands still and all you do is hold your breath and hope it will wait for you.
DOROTHEA LANGEI had to get my camera to register things that were more important than how poor they were–their pride, their strength, their spirit.
More Dorothea Lange Quotes
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Photography takes an instant out of time, altering life by holding it still.
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I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.
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I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.
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No country has ever closely scrutinized itself visually.
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To me, beauty appears when one feels deeply, and art is an act of total attention.
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No country has ever closely scrutinized itself visually … I know what we could make of it if people only thought we could dare look at ourselves.
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The camera is an instrument that teaches people how to see without a camera.
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Photographers stop photographing a subject too soon before they have exhausted the possibilities.
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I encountered that many times, in unexpected places. And I have learned to recognize it when I see it.
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One should really use the camera as though tomorrow you’d be stricken blind.
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go in over your head, not just up to your neck.
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That frame of mind that you need to make fine pictures of a very wonderful subject, you cannot do it by not being lost yourself.
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I believe that what we call beautiful is generally a by-product.
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While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.
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To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.
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Artists are controlled by the life that beats in them, like the ocean beats on the shore.
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Surefire things are deadening to the human spirit.
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Sometimes in a hostile situation you stick around because hostility itself is important.
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The people who are garrulous and wear their heart on their sleeve and tell you everything, that’s one kind of person, but the fellow who’s hiding behind a tree and hoping you don’t see him is the fellow that you’d better find out why.
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One should really use the camera as though tomorrow you’d be stricken blind.
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The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
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You go into a room and you know where you’re welcome; you know where you’re unwelcome.
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It is not enough to photograph the obviously picturesque.
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The words that come direct from the people are the greatest.If you substitute one out of your own vocabulary, it disappears before your eyes.
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The visual life is an enormous undertaking, practically unattainable.
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A documentary photograph is not a factual photograph.
DOROTHEA LANGE