All I’ve tried to do as an actor is follow the good writing. That’s been my main drive. It’s not always possible, so when you do come upon it, like when I came upon this, you realize pretty quickly this is something you need to be involved with.
CILLIAN MURPHYI like the little bit of distance that London affords me and I like living in a world capital. I like having the culture at my fingertips.
More Cillian Murphy Quotes
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I always think it’s a sign of a truly gifted director when they can move seamlessly between genres.
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The medium is secondary to the stories.
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For me, drama is conflict.
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I think any actor that says ‘I never watch my films’ is a liar because you have to watch it at least once and also you’re going to watch it when you’re doing your ADR.
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I’m terrible. I’m the wrong person to talk to, I really don’t know a thing.
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I’m interested in pressure, I’m interested in duress. All the great works of art, or film or literature, in my opinion, have elements of those in them.
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I like being at home with my music and my books. I’ve done all the partying, I’ve done enough partying for four or five people as a young fella. But now I like the quiet life.
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I like the little bit of distance that London affords me and I like living in a world capital. I like having the culture at my fingertips.
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I don’t know if anyone will ever sit beside me on a plane again.
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And once you’re unafraid with death, I think your capacity for violence is immediately increased. Once you’re unafraid of death, you are a very, very dangerous adversary.
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I’d probably have been wealthier if I had stayed with law, but pretty miserable doing it.
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At the moment I’m doing this space movie, so I’m obsessed with physics and space travel. I know three months down the line it’s gone. Then I’ll be able to superficially say stuff about space.
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I think you fall out of love with theater while you’re doing your eighth show of your eighteenth week and your body is saying, “Please make this end.”
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I don’t care if people perceive me as always selling out because I’m doing a studio picture. For me, the whole thing is you should be diverse in your choices; that’s the beauty of being an actor, you should be able to do that.
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That’s what acting is about, Funny wigs and voices, that’s what we do.
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Two weeks ago we couldn’t pronounce your name, but you were in the lead in a film that made millions, so we’re sending you all these scripts.
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The best roles you have to fight for. You have to really want to do it and you have to go after it.
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I think it’s necessary to keep moving forward. I’ve always said that nostalgia is death, really for anyone creative.
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It’s obvious that if you’re going to play a character you need to amass information about that person and about their environment or their era that they’re in and use as little or as much as necessary
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I come from a long line of teachers. Not only did I not go into the family business; I had an aborted law career and I played in bands. ‘Disco Pigs’ was my first professional acting experience.
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I think every director has a different methodology.
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For me it’s always been about the stories, not what medium. The medium is secondary to the stories.
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I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
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I’ve had the pleasure and the great luck to work with some incredible actors over the years and you have to observe and learn and take something from it and try and become better yourself.
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I personally think if something’s not a challenge there’s no point doing it because you’re not gonna learn much.
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Every Irish person of my generation and earlier, we were raised Catholic and we’d have to learn it in school, we’d to learn the catechism by rote.
CILLIAN MURPHY