“The best roles you have to fight for. You have to really want to do it and you have to go after it.”

I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.

At the moment I’m doing this space movie, so I’m obsessed with physics and space travel. I know three months down the line it’s gone. Then I’ll be able to superficially say stuff about space.

I don’t know if anyone will ever sit beside me on a plane again.

I don’t care if people perceive me as always selling out because I’m doing a studio picture. For me, the whole thing is you should be diverse in your choices; that’s the beauty of being an actor, you should be able to do that.

There’s a lot of comedy in Intermission but it’s got this depth. It’s not comedy for comedy’s sake – it’s informed by something else. I like stuff like that

My only two constants are to challenge myself and to try not to repeat myself.

I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.

The medium is secondary to the stories.

I think if you play characters, it’s very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.

If you behave like a celebrity, then people will treat you like a celebrity, and if you don’t, they won’t. There’s not much to write about me in the tabloids.

For me it’s always been about the stories, not what medium. The medium is secondary to the stories.

I think any actor that says ‘I never watch my films’ is a liar because you have to watch it at least once and also you’re going to watch it when you’re doing your ADR.

I always think it’s a sign of a truly gifted director when they can move seamlessly between genres.

I think audiences are a lot more intelligent than what we give them credit for and understand that an actor is playing a role and that doesn’t mean he can’t play different types of roles.

I suppose I’ve always been attracted to this sort of outsider in general – in literature, in music, politics, whatever – and to the person that is able to be relentlessly themselves. I don’t think that I have that quality, that strength of mind.

I personally think if something’s not a challenge there’s no point doing it because you’re not gonna learn much.

Review our priorities, ask the question; what’s the best use of our time right now?

The best Paris I know now is in my head.

The best way to predict the future is to invent it.

Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader’s imagination as the characters in their books.

It can bend and twist and stretch, and probably the best way to think about space is to just kind of imagine a big piece of rubber that you can pull and twist and bend.

I played against the Brazilians in ’82, who were definitely the best team never to have won the World Cup.

The best things said come last. People will talk for hours saying nothing much and then linger at the door with words that come with a rush from the heart.

The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought special and particular to you.