From a very young age I had an ambition to be a musician, and to do that professionally. That’s what I pursued until I was about 20, playing in bands that were taken pretty seriously at that stage.
CILLIAN MURPHYI don’t care if people perceive me as always selling out because I’m doing a studio picture. For me, the whole thing is you should be diverse in your choices; that’s the beauty of being an actor, you should be able to do that.
More Cillian Murphy Quotes
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You need to be as clean of a slate as you can be, as an actor. You have to try to be open to every experience.
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I will always love film, the romance of film, sitting in the darkened room with strangers and watching a story for two hours – that will always remain and never be eroded by television.
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The medium is secondary to the stories.
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I don’t care if people perceive me as always selling out because I’m doing a studio picture. For me, the whole thing is you should be diverse in your choices; that’s the beauty of being an actor, you should be able to do that.
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Having started out in theatre, I feel an impulse to do it as much as I can.
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You take the job very seriously and between action and cut, that’s where your focus should be. And then there’s a lot of levity in between and a lot of good fun.
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I’ve had the pleasure and the great luck to work with some incredible actors over the years and you have to observe and learn and take something from it and try and become better yourself.
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I think any actor that says ‘I never watch my films’ is a liar because you have to watch it at least once and also you’re going to watch it when you’re doing your ADR.
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I like the little bit of distance that London affords me and I like living in a world capital. I like having the culture at my fingertips.
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You’re an actor who’s Irish, not an Irish actor. And you shouldn’t be limited by your extraction.
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For me it’s always been about the stories, not what medium. The medium is secondary to the stories.
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I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
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I really feel actors should try and do as much diverse work as possible to try and keep it interesting.
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I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.
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I think it’s necessary to keep moving forward. I’ve always said that nostalgia is death, really for anyone creative.
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I don’t think they’d ever make a movie about Chuck Baker but I’d love to play Chuck Baker
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I’m not interested in a good man’s life. I’m interested in contradiction.
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I suppose I’ve always been attracted to this sort of outsider in general – in literature, in music, politics, whatever – and to the person that is able to be relentlessly themselves. I don’t think that I have that quality, that strength of mind.
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And once you’re unafraid with death, I think your capacity for violence is immediately increased. Once you’re unafraid of death, you are a very, very dangerous adversary.
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I think if you play characters, it’s very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.
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The best roles you have to fight for. You have to really want to do it and you have to go after it.
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I’m pretty adamant to do an American accent because you get it immediately.
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I think you fall out of love with theater while you’re doing your eighth show of your eighteenth week and your body is saying, “Please make this end.”
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I’m terrible. I’m the wrong person to talk to, I really don’t know a thing.
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I’ve always felt kind of safe on stage, protected. I’ve talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I’ll have more butterflies.
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I loved The Fall; I was kind of obsessed with that show.
CILLIAN MURPHY