I’m interested in pressure, I’m interested in duress. All the great works of art, or film or literature, in my opinion, have elements of those in them.
CILLIAN MURPHYI think if you play characters, it’s very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.
More Cillian Murphy Quotes
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For me, drama is conflict.
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There’s a lot of comedy in Intermission but it’s got this depth. It’s not comedy for comedy’s sake – it’s informed by something else. I like stuff like that
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I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
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The best roles you have to fight for. You have to really want to do it and you have to go after it.
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I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
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If you behave like a celebrity, then people will treat you like a celebrity, and if you don’t, they won’t. There’s not much to write about me in the tabloids.
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I don’t have a burning passion to live in America per se but I would certainly like to work there.
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I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.
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I’ve always felt kind of safe on stage, protected. I’ve talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I’ll have more butterflies.
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I think every director has a different methodology.
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From a very young age I had an ambition to be a musician, and to do that professionally. That’s what I pursued until I was about 20, playing in bands that were taken pretty seriously at that stage.
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I don’t care if people perceive me as always selling out because I’m doing a studio picture. For me, the whole thing is you should be diverse in your choices; that’s the beauty of being an actor, you should be able to do that.
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It’s obvious that if you’re going to play a character you need to amass information about that person and about their environment or their era that they’re in and use as little or as much as necessary
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The medium is secondary to the stories.
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I think it’s necessary to keep moving forward. I’ve always said that nostalgia is death, really for anyone creative.
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I personally think if something’s not a challenge there’s no point doing it because you’re not gonna learn much.
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I’ve never done a film for the money.
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I’d probably have been wealthier if I had stayed with law, but pretty miserable doing it.
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I think you fall out of love with theater while you’re doing your eighth show of your eighteenth week and your body is saying, “Please make this end.”
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I come from a long line of teachers. Not only did I not go into the family business; I had an aborted law career and I played in bands. ‘Disco Pigs’ was my first professional acting experience.
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I think audiences are a lot more intelligent than what we give them credit for and understand that an actor is playing a role and that doesn’t mean he can’t play different types of roles.
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I’ve had the pleasure and the great luck to work with some incredible actors over the years and you have to observe and learn and take something from it and try and become better yourself.
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I really feel actors should try and do as much diverse work as possible to try and keep it interesting.
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I will always love film, the romance of film, sitting in the darkened room with strangers and watching a story for two hours – that will always remain and never be eroded by television.
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I think any actor that says ‘I never watch my films’ is a liar because you have to watch it at least once and also you’re going to watch it when you’re doing your ADR.
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I’m terrible. I’m the wrong person to talk to, I really don’t know a thing.
CILLIAN MURPHY