You need to be as clean of a slate as you can be, as an actor. You have to try to be open to every experience.
CILLIAN MURPHYIf you behave like a celebrity, then people will treat you like a celebrity, and if you don’t, they won’t. There’s not much to write about me in the tabloids.
More Cillian Murphy Quotes
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For me it’s always been about the stories, not what medium. The medium is secondary to the stories.
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It’s obvious that if you’re going to play a character you need to amass information about that person and about their environment or their era that they’re in and use as little or as much as necessary
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I’ve always felt kind of safe on stage, protected. I’ve talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I’ll have more butterflies.
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The best roles you have to fight for. You have to really want to do it and you have to go after it.
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There’s a lot of comedy in Intermission but it’s got this depth. It’s not comedy for comedy’s sake – it’s informed by something else. I like stuff like that
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I really feel actors should try and do as much diverse work as possible to try and keep it interesting.
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My wife can see always how a part affects me personally because she has to live with it.
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My only two constants are to challenge myself and to try not to repeat myself.
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I personally think if something’s not a challenge there’s no point doing it because you’re not gonna learn much.
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Two weeks ago we couldn’t pronounce your name, but you were in the lead in a film that made millions, so we’re sending you all these scripts.
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I always think it’s a sign of a truly gifted director when they can move seamlessly between genres.
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It was very much about performances, the whole ensemble thing was just great – everybody working together. Sometimes it didn’t feel like a film set. It wasn’t technically driven, it was very, very enjoyable.
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From a very young age I had an ambition to be a musician, and to do that professionally. That’s what I pursued until I was about 20, playing in bands that were taken pretty seriously at that stage.
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I’m pretty adamant to do an American accent because you get it immediately.
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I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
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You take the job very seriously and between action and cut, that’s where your focus should be. And then there’s a lot of levity in between and a lot of good fun.
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And once you’re unafraid with death, I think your capacity for violence is immediately increased. Once you’re unafraid of death, you are a very, very dangerous adversary.
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I’d probably have been wealthier if I had stayed with law, but pretty miserable doing it.
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I think it’s necessary to keep moving forward. I’ve always said that nostalgia is death, really for anyone creative.
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I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.
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I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
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I like being at home with my music and my books. I’ve done all the partying, I’ve done enough partying for four or five people as a young fella. But now I like the quiet life.
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Every Irish person of my generation and earlier, we were raised Catholic and we’d have to learn it in school, we’d to learn the catechism by rote.
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All I’ve tried to do as an actor is follow the good writing. That’s been my main drive. It’s not always possible, so when you do come upon it, like when I came upon this, you realize pretty quickly this is something you need to be involved with.
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I will always love film, the romance of film, sitting in the darkened room with strangers and watching a story for two hours – that will always remain and never be eroded by television.
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I suppose I’ve always been attracted to this sort of outsider in general – in literature, in music, politics, whatever – and to the person that is able to be relentlessly themselves. I don’t think that I have that quality, that strength of mind.
CILLIAN MURPHY