You take the job very seriously and between action and cut, that’s where your focus should be. And then there’s a lot of levity in between and a lot of good fun.
CILLIAN MURPHYI think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.
More Cillian Murphy Quotes
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I think if you play characters, it’s very important not to ever tag them with any sort of disorder, or diagnose them, or whatever. You have to normalize the behavior to get inside the character.
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At the moment I’m doing this space movie, so I’m obsessed with physics and space travel. I know three months down the line it’s gone. Then I’ll be able to superficially say stuff about space.
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I’ve never done a film for the money.
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You’re an actor who’s Irish, not an Irish actor. And you shouldn’t be limited by your extraction.
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I think it’s necessary to keep moving forward. I’ve always said that nostalgia is death, really for anyone creative.
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For me, drama is conflict.
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I loved The Fall; I was kind of obsessed with that show.
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I’m pretty adamant to do an American accent because you get it immediately.
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All I’ve tried to do as an actor is follow the good writing. That’s been my main drive. It’s not always possible, so when you do come upon it, like when I came upon this, you realize pretty quickly this is something you need to be involved with.
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That’s what acting is about, Funny wigs and voices, that’s what we do.
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Having started out in theatre, I feel an impulse to do it as much as I can.
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It’s obvious that if you’re going to play a character you need to amass information about that person and about their environment or their era that they’re in and use as little or as much as necessary
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There’s a lot of comedy in Intermission but it’s got this depth. It’s not comedy for comedy’s sake – it’s informed by something else. I like stuff like that
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And once you’re unafraid with death, I think your capacity for violence is immediately increased. Once you’re unafraid of death, you are a very, very dangerous adversary.
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It’s always nice to be challenged.
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I think every director has a different methodology.
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I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
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I don’t know if anyone will ever sit beside me on a plane again.
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I like watching film, I go to the cinema, but a lot of times I go to see kids’ films.
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The best roles you have to fight for. You have to really want to do it and you have to go after it.
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I think you fall out of love with theater while you’re doing your eighth show of your eighteenth week and your body is saying, “Please make this end.”
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I’ve always felt kind of safe on stage, protected. I’ve talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I’ll have more butterflies.
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From a very young age I had an ambition to be a musician, and to do that professionally. That’s what I pursued until I was about 20, playing in bands that were taken pretty seriously at that stage.
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I suppose I’ve always been attracted to this sort of outsider in general – in literature, in music, politics, whatever – and to the person that is able to be relentlessly themselves. I don’t think that I have that quality, that strength of mind.
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I don’t have a burning passion to live in America per se but I would certainly like to work there.
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I will always love film, the romance of film, sitting in the darkened room with strangers and watching a story for two hours – that will always remain and never be eroded by television.
CILLIAN MURPHY