Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
BRIAN K. VAUGHANI’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
More Brian K. Vaughan Quotes
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I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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I’m still digesting the ’90s. It takes some time to get perspective.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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Fans of my books have just been supremely nice.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
BRIAN K. VAUGHAN