I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
BRIAN K. VAUGHANI’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
More Brian K. Vaughan Quotes
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Yeah, that’s right. Flee in terror, bitches!
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I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
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That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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If a good editor will let me tell my story with the right artist, I’m happy.
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My mom once told me that a good relationship isn’t where the other person makes you feel better, but where they make *you* better.
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Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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Every issue, the characters and I duke it out. They usually win.
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I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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A comic script is basically a love letter from you to your artist.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
BRIAN K. VAUGHAN