The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
BRIAN K. VAUGHANI’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
More Brian K. Vaughan Quotes
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If a good editor will let me tell my story with the right artist, I’m happy.
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Every issue, the characters and I duke it out. They usually win.
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
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We describe [Paper Girls] as Stand By Me meets Terminator.It’s a story about nostalgia and childhood, but with an action-packed, sci-fi bent.
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I’m 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the ’80s and think back.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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How is it possible that our parents lied to us?” “Lets see: Santa, the Tooth Fairy,the Easter bunny,um, God. You’re the prettiest kid in school. This wont hurt a bit. Your face will freeze like that…” “Everythings going to be alright.
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of ‘Star Wars.’
BRIAN K. VAUGHAN