I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
BRIAN K. VAUGHANI mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
More Brian K. Vaughan Quotes
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Next up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
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Pacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
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Every issue, the characters and I duke it out. They usually win.
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I’ve always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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I’m the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian’s from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it’s worked like a goddamn charm.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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Life is mostly just learning how to lose.
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I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
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I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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If a good editor will let me tell my story with the right artist, I’m happy.
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
BRIAN K. VAUGHAN






