It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
BRIAN K. VAUGHANI mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
More Brian K. Vaughan Quotes
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I remember seeing Stand by Me, when I was around 12, and just feeling like, “This is so refreshing to see kids swear and smoke cigarettes like my friends.” It just felt much more real than the Sesame Street version of childhood that I’d been spoon-fed.
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I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
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Fans of my books have just been supremely nice.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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I’m still digesting the ’90s. It takes some time to get perspective.
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Every issue, the characters and I duke it out. They usually win.
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I know I’m a grumpy old man, but I’m always more delighted by readers talking about the actual comics than people talking about how eager they are to have their favorite comics be “elevated” into another medium.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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Life is mostly just learning how to lose.
BRIAN K. VAUGHAN