I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
BRIAN K. VAUGHANNext up, I’m going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
More Brian K. Vaughan Quotes
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I think some people are just very passionate that things remain the way they were when they were kids.
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No. No, first comes boyhood. You get to play with soldiers and spacemen, cowboys and ninjas, pirates and robots. But before you know it, all that comes to an end. And then, Remo Williams, is when the adventure begins.
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That was the appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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These are the young women [in Stand by Me] that we grew up knowing and hopefully they feel a little rough around the edges, because it’s true to life.
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Fans of my books have just been supremely nice.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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I like things that are weirdly imaginative and couldn’t be real, but I also like stories that are recognizable and relatable.
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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Every issue, the characters and I duke it out. They usually win.
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If a good editor will let me tell my story with the right artist, I’m happy.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
BRIAN K. VAUGHAN