I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
BRIAN K. VAUGHANAfter 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.
More Brian K. Vaughan Quotes
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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There’s just something about that late ’80s that suddenly feels like it has something to teach us.
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I like being around teenagers. It’s good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They’re mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
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Yeah, that’s right. Flee in terror, bitches!
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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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I don’t start a story until I know where it’s going to end.
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What cruel creatures men are. Our bodies tell us to love so many, but there’s room in our hearts for so few.
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I think there is a possible future where maybe we do just take a hard turn away from the Internet and we do start valuing our privacy again.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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After ten years of toiling away in Hollywood, I realized that there’s no better place for new ideas than comics.
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Everyone had a mother, even if she had to leave us on a stranger’s doorstep. No matter how we’re eventually raised, all of our stories begin the exact same way. They all end the same, too.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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Not a word of my writing has ever been changed by another person’s hands, and I don’t think many screenwriters can say that.
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Victor: You guys have some kind of rallying cry? You know, “Avengers assemble?” “It’s clobberin’ time?” “Hulk smash?” Nico: “Try not to die.
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A comic script is basically a love letter from you to your artist.
BRIAN K. VAUGHAN