I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being a bit like something that was a success on a previous record, they’re inclined to encourage that.
BRIAN ENOI’ve got a feeling that music might not be the most interesting place to be in the world of things.
More Brian Eno Quotes
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I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
BRIAN ENO -
In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
BRIAN ENO -
The most important thing is the thing most easily forgotten.
BRIAN ENO -
Be the first to not do what nobody has ever thought of not doing before.
BRIAN ENO -
As struggles go, being an artist isn’t that much of one.
BRIAN ENO -
The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
BRIAN ENO -
If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
BRIAN ENO -
I’m not interested in possible complexities. I regard song structure as a graph paper.
BRIAN ENO -
Saying that cultural objects have value is like saying that telephones have conversations.
BRIAN ENO -
I despise computers in many ways. I think they’re hopelessly underevolved and overrated.
BRIAN ENO -
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
BRIAN ENO -
So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
BRIAN ENO -
I’m struck by the insidious, computer-driven tendency to take things out of the domain of muscular activity and put them into the domain of mental activity.
BRIAN ENO -
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
BRIAN ENO -
I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
BRIAN ENO






