If I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.
BRENT FAIYAZI work while I’m on the move, so I’m able to book sessions in different cities.
More Brent Faiyaz Quotes
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I’ll listen to certain things that I made back then, and I’m like, ‘I wish I could have done this, I would’ve done that’. When you start out making music, you just want to make something that people will like.
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In 2018, nothing is sacred. Everyone is everywhere and knows everybody. I don’t text too personal because somebody might screenshot it and share it.
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I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.
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I still got bars, I just use ’em differently. I’d say I’m a better singer than I am a rapper at this point because I’ve been sharpening my sword.
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I got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
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We’re products of this world we were born into. We all battle our own demons. Everyone is troubled in the dark, but, please just stop & think about the babies. They’re gonna be here long after we leave.
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I’ve always felt like I was observing everything, like I’m just looking out of the window, peeping how everybody is living and just penning about it, so I made the album about that concept.
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People will listen to a song and expect that you just have that persona on all the time. But really, that was your one outlet that one day to get that emotion out. The only difference was you put it on a canvas that’s going to be there forever.
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I know when it comes to the actual narrative of my solo music, it’s its own thing. That’s why I went out of my way after ‘Crew’ to not do a bunch of collaborations.
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I feel you gotta be nervous. If you’re nervous, it’s just ’cause you want to do well, it’s not ’cause you’re scared.
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I got a toy keyboard when I was around like five or six.
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I could always sing just playing around, but I ain’t want to be no singer. I thought that was lame.
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In order for people to take what you say seriously, they have to know who you are as a person.
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
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I want to own my masters. That’s the main thing–owning all my music.
BRENT FAIYAZ