I always came away thinking “I’d like to see her more,” you know? And then when [Parental Guidance] was ready to be cast, we thought – Bette [Midler]. So we called her.
BILLY CRYSTALAs a director and an actor, I encourage improvisation but in character and in the moment of what it is.
More Billy Crystal Quotes
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When we had the girls, my daughter Jenny gave us like a Bible from my daughter of, “Don’t feed them this; don’t feed them that, if she says this, don’t say that,” It was crazy!
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I don’t like heights. This is why I stopped growing at fifth grade.
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When comedy is good, it’s jazz. The beats of it, the looseness, the improvisational part, the music-the way you hit the inflection, the high notes of a joke. It’s all melody to me.
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I think when I feel I’m at my best is when I’m on stage, and it’s my version of jazz because it’s just riffing or something.
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I’d like to think there is a Heaven, and it starts from the happiest day in your life.
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Dad had a music store, and he’d often bring home comedy albums that I would listen to. I started listening to Bob Newhart and Bill Cosby, and developing taste. They really influenced my style of comedy.
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I’m comfortable being old… being black… being Jewish.
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Whoo-hoo-hoo, look who knows so much. It just so happens that your friend here is only MOSTLY dead.
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Did you ever reach a point in your life, where you say to yourself, ‘This is the best I’m ever going to look, the best I’m ever going to feel, the best I’m ever going to do,’ and it ain’t that great?
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In high school, I was the class comedian as opposed to the class clown. The difference is the class clown is the guy who drops his pants at the football game, the class comedian is the guy who talked him into it.
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There’s a big difference between mostly dead and all dead. Mostly dead is slightly alive. With all dead, well, with all dead there’s usually only one thing you can do. Go through his clothes and look for loose change.
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Change is such hard work.
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I never stopped believing in us and I never felt like I was wanting for anything, except for my father, and that was not going to be. I describe in the book [that] I don’t think I ever felt young again in that way.
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Bambi, to a kid, was scary.
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I started examining history and then everything related to the theater. History, art, all the other studies, if I could link them into the theater, then it became alive for me. It just opened up my eyes.
BILLY CRYSTAL