We were in front of a live audience and I would be acting with the man who was playing my lover, and we used those words, and the audience would titter and laugh, and make me uncomfortable doing the scenes. …
Two thousand years ago Jesus is crucified, three days later he walks out of a cave and they celebrate with chocolate bunnies and marshmallow Peeps and beautifully decorated eggs. I guess these were things Jesus loved as a child.
I’ve always thought that the key to a good sex life is variety. That’s why God gave me two hands. Humans love sex, we need sex, it’s how we connect, it reminds us we’re alive, it’s the third most basic human need, after food and good movie popcorn.
I never stopped believing in us and I never felt like I was wanting for anything, except for my father, and that was not going to be. I describe in the book [that] I don’t think I ever felt young again in that way.
I started examining history and then everything related to the theater. History, art, all the other studies, if I could link them into the theater, then it became alive for me. It just opened up my eyes.
[I did impressions] of relatives because I heard so many different sounds. My dad was in the music business and of course my uncle was a giant [music producer], but my dad in particular had the house filled with these Dixieland jazz stars.
Did you ever reach a point in your life, where you say to yourself, ‘This is the best I’m ever going to look, the best I’m ever going to feel, the best I’m ever going to do,’ and it ain’t that great?
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